房源位置

The elegant Trieste neighborhood extends between via Salaria and via Nomentana, a residential area created in 1926 with the name Quartiere Savoia, in homage to the then ruling house. Since 1946, the neighborhood has taken on its current name, from the street that constitutes its central street.
Bordering the adjacent Parioli district, is the splendid Villa Ada, a magnificent example of an English garden, full of ponds, neoclassical and eclectic buildings. Once the private residence of Vittorio Emanuele III and the House of Savoy, for which an anti-aircraft bunker was built during the Second World War, the villa now houses the Egyptian Embassy. In front of the entrance to Villa Ada, there are some catacombs, including those of Priscilla. Among the largest and oldest in Rome, they date back to the end of the 2nd century, and take their name from the owner of the land, the Roman matron Priscilla whose son would have hosted St. Peter.
The area is home to the so-called African Quarter, so called in reference to the streets named after the former Italian colonies in Africa. Here, it is possible to admire the Sepulcher of Helios Callistius, from the mid-2nd century AD. Following the collapse of the facade, it was called the "Devil's Chair" and, in medieval times, it began to be linked to a series of terrifying legends: it was believed, in fact, that it was a demonic place, as well as the throne of Satan.
A short distance away is the Monumental Complex of Sant'Agnese Fuori le Mura, which brings together a group of buildings: the Constantinian basilica, built between 337 and 351 AD. at the behest of Constance, daughter of the emperor Constantine, of which some ruins remain; The suggestive Mausoleum of Santa Costanza, built at the beginning of the 4th century, one of the most important monuments of late ancient architecture, much loved by couples who get married in a religious ceremony; the basilica built by Pope Honorius I (625-638), one of the most intact and illustrious examples of an ancient Christian basilica and the catacombs of Sant'Agnese, martyred in the 3rd century.
On the corner between via Tagliamento and via Dora, an imposing, richly decorated arch connects the two ambassadorial buildings: it is the entrance to the Coppedè district. a complex of 26 buildings and 17 villas with unexpected and bizarre features. The "pastiche" of architectural languages was designed and built between 1915 and 1927 by the eclectic architect Gino Coppedè. It is structured around Piazza Mincio, surrounded by "fairytale" buildings - such as the Palazzina del Ragno and the Villino delle Fate - and in whose center stands the enchanting Fontana delle Rane. The dreamlike atmosphere of this place has enchanted numerous directors: Dario Argento used it as a location for "Inferno" and "The Bird with the Crystal Plumage", Francesco Barilli for "The Perfume of the Lady in Black", Nando Cicero for Last tango in Zagarolo” and Nanni Loy in “Audace coup dei soliti ignoti”.
On the other side of Via Nomentana is Villa Torlonia, originally one of the numerous agricultural estates in the area, transformed into a sumptuous residence at the end of the eighteenth century. Home of Mussolini from 1925 to 1943, today the villa is a magnificent public park which houses three important museums: the Casina delle Civette Museum, dedicated to artistic stained glass, the Casino Nobile Museum, which houses the Villa Museum and the collection of the Roman School, the Casino dei Principi, home to the archive of the Roman School and space for temporary exhibitions. A few steps away stands Villa Blanc, built by the architect Giacomo Boni in 1897 at the behest of Baron Alberto Blanc. A valuable example of "eclectic" art, it is currently home to the prestigious Luiss Business School.
Born in the early years of the last century, the Salario district takes its name from the consular road of the same name, so called by the ancient Romans for the transport of salt. The neighborhood was reduced in 1926 with the creation of the current Trieste neighborhood and is today a lively and elegant residential area.
One of the jewels of the area is the marvelous Villa Albani, an eighteenth-century masterpiece created for Cardinal Alessandro Albani, to house the prestigious collection of antiquities curated by Winckelmann. The sumptuous frescoed building, the Italian garden with pavilions and fountains, closed by the hemicycle of the Coffee-house, testifies to one of the highest expressions of the particular antiquarian taste when Rome had become a privileged destination of the Grand Tour. Inside it houses precious sculptures ancient and works of art by artists, including Niccolò da Foligno, Perugino, Gherardo delle Notti, van Dyck, Tintoretto, Ribera, Guercino, Giulio Romano, Borgognone, Luca Giordano, David, Vanvitelli.
From the late Baroque and neoclassical style of Villa Albani, we move on to an extraordinary example of integration between industrial archeology and contemporary architecture: the Macro, Museum of Contemporary Art of Rome, which occupies part of the early twentieth century complex of the former Peroni brewery. Planned as a "Museum for Preventive Imagination", the space is now developed as a three-dimensional magazine developed in sections that accommodate heterogeneous contents.
A short distance away are the Bersagliere Monument and Porta Pia, ideal access to the neighborhood and one of the most important monuments of the Italian Risorgimento. This historic place was the scene of the battle that marked the annexation of Rome to the Kingdom of Italy: here, on 20 September 1870, the famous "Breccia" was opened.