Kecamatan Ubud · 别墅里的独立房间 · 1室1床1.0卫 · 可住2人 · 1卧室乌布-距离乌布中心不到1分钟路程
1间卧室,非常靠近乌布市中心,步行即可轻松抵达( 5分钟)。 或者骑踏板车不到1分钟。 空调/无线网络非常好。75 mbps无线网络。 地理位置优越,离乌布市中心很近。 有一个房客共用泳池。 这间卧室位于别墅综合半独立式住宅内。 新装修的浴室。每日清洁服务。 可以在现场预订船只和短途旅行。 请在预订前发消息。
I really enjoyed my stay - the room was very nice and the hosts were absolutely incredible and so lovely :)
Excellent séjour, les hôtes étaient aux petits soins avec nous, nous en garderons de superbes souvenirs !
Very close to everything so it's easy to get around town on foot, but still in a quiet area. The hosts are very kind and are thoughtful with suggestions of things to do in the area.
The host was super nice!! It was exactly as described. When we arrived we got a lot of recommendations for things to do in Ubud. He even planned our cooking class for us. The rooms got cleaned every day. He also booked our transfer to the next stop. So everything was perfect
距离乌布中心( Ubud Center )非常近。一切都在附近。
步行或踏板车
自我介绍
Born in Ubud, Bali, Wayan Sudirana is one of Bali’s most well-known professor, composers, teaching and performing across Bali and internationally. He is also one of the most successful professors at the Indonesia Institute of the Arts in Denpasar. After graduating from the Indonesian Arts Institute, Denpasar, he studied at the University of British Columbia (UBC) where he received his MA and Ph.D. in Ethnomusicology. He was commissioned by the Canadian government to compose a piece combining Balinese gamelan, Taiko Japan and Bagpipes to be performed at the 2010 Winter Olympics in Vancouver, Canada. He has collaborated with worldwide companies, such as Jack Morton Production New York for the Hundred Percent Club (HPC) of IBM in May 2017 and May 2018, Five Current Company for the opening ceremony of the Asian Games held in Jakarta, August 2018. He has also collaborated with many famous composers over the years including Michael Tenzer (2003 - 2013), Andrew Clay McGraw (2006 - 2010), Peter Michael Steele and Joshep Sandino (2007), Gamelan X, and performed at Carnegie Hall, New York. He has just published a book about the future of Balinese sacred ensemble (2019), and also produced two CDs of his very own new works for Gamelan with Gamelan Yuganada (2019). One of his publications entitled, “Borrowing, Stealing, Transforming: Intercultural Influences in Balinese Neo-Traditional Composition,” published in a chapter book edited by Kendra Stepputat entitled, Performing Arts in Postmodern Bali: Changing Interpretations, Founding Traditions (Stepputat 2013, page 175 – 186). His current research is focused on the development of new music in Bali. He is currently an assistant professor at the graduate program at Arts Institute of Indonesia.
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